Texts by others

Manuela Ammer, Walking as Artistic practice, Online

Howard Klein, 'New Music Heard At The 92D St. 'Y'. Performer Gain Skill in Avant-Garde Techniques, New York Kime Monday January 4, 1963

McLean, Eric. “Informal Concert with Stockhausen.” Montreal Star (January 29, 1964).

Henahan Donald, John Cage: His Heart Belongs to Dada,” Chicago Daily News, April 14, 1965

Winters, Kenneth. “In the Corner.” The Toronto Telegram. May 2, 1966.

Eric Satlzman, First published as: 'Max Neuhaus' Electronics and Percussion', HiFi Stereo Review , November 1968

Thomas Willis, 'Public Supply: A sound idea. Wednesday, May 2, 1973

Al Brunelle, Deep Float: Neuhaus' 'Water Whisle', (Art in America 62, no. 5 ), October 1974, p. 91

Tom Johnson, "Creating the Context: Max Neuhaus", The Village Voice , December 6, 1976.

John Kraglund,Percussion ad absurdum -it was asful, The Globe and Mail , Monday, May 2, 1966

Rockwell John. "Avant-Garde: Max Neuhaus And His 32 Loudspeakers" The New York Times, Nov. 22, 1976

Rockwell, John. “Max Neuhaus to Fill the Old Custom House With New Music,” New York Times (November 19, 1976): 50

Joan La Barbara, “Max Neuhaus: new sounds in natural settings”, Musical America, October 1977

John Rockwell, Beneath The Feet Aural Art That Heals New York Times, 1977

Ericson Raymond, "Max Neuhaus Music Made Especially for Times Square", The New York Times , New York, Sunday Nov. 27, 1977

Barracks, Barbara. “Max Neuhaus, The Customs House,” Artforum (February 1977): 65-68.

John Rockwell. “Whistle While You Tune In to Avant-Garde Radio.” The New York Times, (January 2, 1977): 73.

Princenthal Nancy, "The Sounds of Violence: Max Neuhaus' Siren Project" Art Forum, New York, May 1982

Patrick Javault, Max Neuhaus, bruits de couloir. Art Press, Art Press Métro, 1982

Jean-Christophe Ammann, "Notes on Max Neuhaus", 1983

Carter Ratcliff, "Space, Time and Silence: Max Neuhaus' Sound Installations", 1983

Adrian Jack, Max Neuhaus "Sound Installations". 8 April 1984

Holland, Bernhard. “Critic’s Notebook: Passive Solution to Music’s Orthopedic Mishaps.” The New York Times. June 14, 1984. C19

Patrick Javault, Avec Max Neuhaus, Paris, 1984

Pierre Rastany, Le paradoxe des impossibles, 1984

Denys Zacharopoulos, "Max Neuhaus", 1987.

Carter Ratcliff, "Max Neuhaus: Aural Spaces", 1987

Germano Celant 1,2) Max Neuhaus, quoted by Carter Ratcliff, 'Aural Spaces', in Art in America, 1987

Alain Cueff, "Max Neuhaus: The Space of Sound" 1988

Franz Kaiser, "Creating a new place in space...", 1988

Calvin Tomkins, "Hear", 1988

Ulrich Loock, Time Piece, Kunsthalle Bern, 1989

Wulf Herzogenrath, "Bell for St. Cäcilien", 1989

Max Neuhaus and Ulrich Loock, "A Conversation Between Max Neuhaus and Ulrich Loock: Milan, March 25, 1990

Denys Zacharopoulos, Max Neuhaus,"Space and Sound: Resonance of an Aural Work", 1990

Danto, Arthur. “Max Neuhaus: Sound Works.”

Denys Zacharopoulos, 'Max Neuhaus: A Place within a Place', traslated from the Franch by Charles Penwarder, 1992

Susanne Weingarten, 'Brummen vor dem Tore', 1992

Doris von Drathen, "Max Neuhaus: Invisible Sculpture - Molded Sound" Parkett #35/ Zurich 1993

Harald Szeemann, « Max Neuhaus », First Published in French in GAS, Bordeaux, Capc Musée d’Art Contemporain, 1993

Germano Celant, 'Max Neuhaus: An Occasion for Listening', 1994

Ida Gianelli Text, "Visioni di Suono (Sound Visions)", 1995

Stuart Morgan text, "Disegnare in retrospettiva", 1995

Yehuda Safran, "Disegnare a orecchio"(Dessiner à l'ouie), 1995

Haim Steinbach, 'Max Neuhaus', 27 ottobre - 31 dicembre 1995

Dirk Schwarze, Max Neuhaus und Karel Malich, Kasseler Kunstverein, (German) 12.2. – 23.3.1995

Jean-Philippe Vienne Text. 'Prefazione' 1995

Gahse, Zsuzsanna. "How does a sound spread." (1997)

Pier Luigi Tazzi, "Constructed Sound: Max Neuhaus" 1997

Pier Luigi Tazzi. "Max Neuhaus.” 1997

Doris von Drathen, Max Neuhaus, Jen 25, 2007

Alain Cueff, Missing beginning. 1997

Yehuda Safran text, "The drawings from Three to One", 1997

George HadjimIchalis, THE DRAWINGS OF MAX NEUHAUS (M.N. IN THE VORTEX OF THE BYZANTINE MIDDLE AGES)*, English translation by Cox & Solman, Athens 1998

Jean-Max Colard, Comment passer de John Cage à la musique d’ascenseur ? Réponse avec la rétrospective de Max Neuhaus, pionnier de l’installation sonore.

MAX-FEED or "FEED-MAX"? by Philip Corner, April, 2002

Lynne Cooke, Location Listening, 2009

Ulrich Look, Dia Art Foundation, Max Neuhaus, Sound Works, 28 Sept 02

David Ryan, Max Neuhaus - Fontana Mix,

Neil Robert Wenman, Max Neuhaus, Listening to the Void, 2003

Dasha Dekleva, EAR SCOPE, 2004

Yehuda Safran, "Shaping Sound", 2004

John Rockwell, ‘The New York School’, New York City, 2004

Christoph Cox, From Music to Sound: Being and Time in the Sonic Art, 2004

Dasha Dekleva, Earshot to Here, Oct 2004

Enrico Pedrini, Max Neuhaus and the space-sound, 2004

Ulrich Loock, "Times Square, Max Neuhaus's Sound Work in New York City", 2005

Christoph Cox, Sonambiente 2006, Akademie der Kunste, Berlin, 1 June–17 July 2006

Background Noise, Perspectives on Sound Art BY Brandon LaBelle, published by The Continuum International Publishing Group Inc. AUG 21, 2006

Ulrich Loock, "The Time Piece for the Stommeln Synagogue", 2007 (English)

Hans Rudolf Reust, While Walking, 2007

Ulrich Look, Das Time Piece bei der Synagoge von Stommeln, 2007 (German)

Max Neuhaus, Times Square, Time Piece Beacon, Cooke Lynne et Kelly Karen, (ed) New Haven/ Londres Dia Art Foundation/ Yale University Press, 2009.

Alex Potts, Max Neuhaus, Moment and place: art in the arena of the everyday. 2004

Robin Rimbaus, Max Neuhaus , Space as Sound -Scanner, (Online)

Megan Murph, Max Neuhaus’s Sound Works and the Politics of Noise, 2009

Joseph, Branden W. “An Implication of an Implication.”

Kotz, Liz. “Max Neuhaus: Sound into Space.” In Max Neuhaus: Times Square / Time Piece: Beacon, 93-112. Beacon, NY: Dia Art Foundation, 2009

Christoph Cox, 'Installing Duration: Time in the Sound Works of Max Neuhaus, 2009

Steeve Goodman (2009), 1738: Bad Vibrations, 1984: Dark Precursor, 1999: Vibrational Anarchitecture. pp. 287 to 304

Thierry Davila, « Max Neuhaus : inventer l’expérience du seuil », dans De l’inframince. Brève histoire de l’imperceptible, de Marcel Duchamp à nos jours, Paris, Éditions du regard, 2010, p. 205-239.

Alanna Heiss, On Sound, Space, and the City, 2011

Andy Battaglia, A Sound From Underground The Wall Street Journal:, December 26, 2012.

Walter Cianciusi, Conservatory Luigi Canepa Sassari, Italy. Walter Cianciusi, “Max Neuhaus: Pioneer of Invis- ible and (Almost) Inaudible Sound Installations,” in International Computer Music Conference Proceed- ings (2013), 248–253, 249.

Anne Zeitz, De Max-Feed à Radio Net Les projects radio de Max Neuhaus, Avril 2014

Brandon LaBelle, Tuning Space: Max Neuhaus and Site-Specific Sound, Bloomsbury Academic, 2015, chapter 10, p. 154 until p. 165

Hannah B Higgins, Live Art in the Eternal Network: The Annual New York Avant Garde Festivals. 2016

Patrick Javault, Neuhaus’ Time, Doppiozero, 2017

Charles Eppley, Underwater Music: Max Neuhaus and the Electronic Circuit as Post-Musical Score, project 2018

Seth Cluett, Ces Sons Qui Déploient Les Sites. Conversation avec Barbara London. Published 2018

Samon Takahashi, "Heinz König Collage", 2018

Claudia Squitieri, Tipographie D'un Dialogue Résonnant, 2018

Matthieu Saladin, Something Alive: pratique du feedback et conceptualisation de l'installation sonore chez Max Neuhaus, 2018

Laurent Devéze, Max Neuhaus la libération comme son de la liberation. 2018

Daniele Balit, More than meet the eye, 2018

Oleg Tcherny, Mere Nature Delineated - Notes

Patrick Javault, La Cloche d'ombre, 2018

Simon Ripoll - Hurier, Radio Activities, Conversation avec Théo Robine - Langlois, 2018

Steven Connor, Acousmanie, 2018

Nina Katchadourian, Drawing Birdsong, 2018

Sébastien Roux, Succession de timbres avec un partiel en commun - Notes Et Partition, 2018

Matthieu Saladin, The Inaudible as an Effect: Tactics of Sound Erasure in Max Neuhaus, 2020

Julia kent: Max Neuhaus, Essays, personal stories and curiosities from our guest femxle contributors, July 20, 2021

Elena Biserna, Site-specific Exhibition and Re-Exhibition Strategies: Max Neuhaus’s Times Square, 2022

Matthieu Saladin Delineations of the Invisible: Notes on Max Neuhaus’ Drawing Practice, 2023

Art or Sound: Max Neuhaus' Love for Serendipity and Anonymity, Sound of Life, Povered by KEF, 16 Juil, 2023