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McLean, Eric. “Informal Concert with Stockhausen.” Montreal Star (January 29, 1964).
Henahan J. Donald, John Cage: His Heart Belongs to Dada,” The Chicago Tribune, April 14, 1965
Howard Klein, 'New Music Heard At The 92D St. 'Y'. Performer Gain Skill in Avant-Garde Techniques, New York Times Monday January 4, 1965
Strongin, Theodore. “Artist ‘Realizes’ Taped Music and Plays Piano from Inside.” The NEW YORK TIMES review, Mar 23, 1965. p34.
Winters, Kenneth. “In the Corner.” The Toronto Telegram. May 2, 1966.
Eric Salzman, First published as: 'Max Neuhaus' Electronics and Percussion', HiFi Stereo Review , November 1968
Daniel Henninger, Next, a Musical Tweet - Live. The National Observer, Jan 15, 1972 MNE-PRESS
Thomas Willis, 'Public Supply: A sound idea. Wednesday, May 2, 1973
Al Brunelle, Deep Float: Neuhaus' 'Water Whisle', (Art in America 62, no. 5 ), October 1974, p. 91
Tom Johnson, Max Neuhaus’s Water Whistle, 1974
Tom Johnson, "Creating the Context: Max Neuhaus", The Village Voice , December 6, 1976.
John Kraglund,Percussion ad absurdum -it was asful, The Globe and Mail , Monday, May 2, 1966
Rockwell John. "Avant-Garde: Max Neuhaus And His 32 Loudspeakers" The New York Times, Nov. 22, 1976
Rockwell, John. “Max Neuhaus to Fill the Old Custom House With New Music,” New York Times (November 19, 1976): 50
Joan La Barbara, “Max Neuhaus: new sounds in natural settings”, Musical America, October 1977
John Rockwell, Beneath The Feet Aural Art That Heals New York Times, 1977
Ericson Raymond, "Max Neuhaus Music Made Especially for Times Square", The New York Times, New York, Sunday Nov. 27, 1977
Barracks, Barbara. “Max Neuhaus, The Customs House,” Artforum February 1977
John Rockwell. “Whistle While You Tune In to Avant-Garde Radio.” The New York Times, (January 2, 1977): 73.
Carter Ratcliff, 'Raum Zeit Stille: Die Klang Installationen von Max Neuhaus' 1982
Princenthal Nancy, "The Sounds of Violence: Max Neuhaus' Siren Project" Art Forum, New York, May 1982
Jean-Christophe Ammann, "Notes on Max Neuhaus", 1983
Jean-Christophe Ammann, Anmerkungen zum Schaffen von Max Neuhaus, 1983 (German text)
Carter Ratcliff, "Space, Time and Silence: Max Neuhaus' Sound Installations", 1983
Adrian Jack, Max Neuhaus "Sound Installations". 8 April 1984
Holland, Bernhard. “Critic’s Notebook: Passive Solution to Music’s Orthopedic Mishaps.” The New York Times. June 14, 1984. C19
Pierre Rastany, Le paradoxe des impossibles, 1984
Patrick Javault, Max Neuhaus, bruits de couloir. Art Press, Art Press Métro, Février 1986
Denys Zacharopoulos, "Max Neuhaus", 1987.
Germano Celant, Max Neuhaus, quoted by Carter Ratcliff, 'Aural Spaces', in Art in America, 1987
Tran Diep "Neuhaus, sculpteur de sons" Libération, Paris, 19 Mars 1988
Alain Cueff, "Max Neuhaus: The Space of Sound" 1988
Franz Kaiser, "Creating a new place in space...", 1988
Calvin Tomkins, "Hear" The New Yorker. October 24, 1988 pp 110 to 116
Ulrich Loock, Time Piece, Kunsthalle Bern, 1989 (English)
Wulf Herzogenrath, "Bell for St. Cäcilien", 1989
Denys Zacharopoulos, Max Neuhaus,"Space and Sound: Resonance of an Aural Work", 1990
Danto, Arthur. “Max Neuhaus: Sound Works.” The Nation 252, no. 8 (March 4, 1991)
Denys Zacharopoulos, 'Max Neuhaus: A Place within a Place', traslated from the Franch by Charles Penwarder, 1992
Susanne Weingarten, 'Brummen vor dem Tore', Der Spiegel, Hamburg, Number 37/1992
Doris von Drathen, "Max Neuhaus: Invisible Sculpture - Molded Sound" Parkett #35/ Zurich 1993
Harald Szeemann, « Max Neuhaus », First Published in French in GAS, Bordeaux, Capc Musée d’Art Contemporain, 1993
Harald Szeemann, "Max Neuhaus", Kunstforum International, 127 (Ruppichteroth), 1994
Germano Celant, 'Max Neuhaus: An Occasion for Listening', 1994
Ida Gianelli, "Visioni di Suono (Sound Visions)", 1995
Stuart Morgan "Disegnare in retrospettiva", Text 1995
Yehuda Safran, "Disegnare a orecchio"(Dessiner à l'ouie), 1995
Haim Steinbach, 'Max Neuhaus', Turin 27 ottobre - 31 Dicembre 1995
Dirk Schwarze, Max Neuhaus und Karel Malich, Kasseler Kunstverein, (German) 12.2. – 23.3.1995
Jean-Philippe Vienne, 'Prefazione' 1995
Gahse, Zsuzsanna. "How does a sound spread." (1997)
Pier Luigi Tazzi, "Constructed Sound: Max Neuhaus" Messina, November 1997
Pier Luigi Tazzi. "Max Neuhaus.” 1997
Alain Cueff, Missing beginning. 1997
Yehuda Safran text, "The drawings from Three to One", 1997
Michael Tarantino, Two Passages, Oxford, December 1998
George HadjimIchalis, THE DRAWINGS OF MAX NEUHAUS (IN THE VORTEX OF THE BYZANTINE MIDDLE AGES)*, English translation by Cox & Solman, Athens 1998
SPANNUNG MIT ENTSPANNUNG, Michael Tarantino Oxford, Dezember 98 Übersetzung aus dem Englischen: Max Wechsler
Jean-Max Colard, Comment passer de John Cage à la musique d’ascenseur ? Réponse avec la rétrospective de Max Neuhaus, pionnier de l’installation sonore. 2001
MNE-NOTES, Pomenade du Pin Geneva 2002
MAX-FEED or "FEED-MAX"? by Philip Corner, April, 2002
Ulrich Loock, Dia Art Foundation, Max Neuhaus, Sound Works, 28 Sept 02
Neil Robert Wenman, Max Neuhaus, Listening to the Void, 2003
David Ryan, Fontana Mix - Feed, 2003
Yehuda Safran, "Shaping Sound", 2004
John Rockwell, ‘The New York School’, New York City, 2004
Christoph Cox, From Music to Sound: Being and Time in the Sonic Art, 2004
John Rockwell, STOCKHAUSEN, NEUHAUS, ZYKLUS New York City, published 2004
Alex Potts, Max Neuhaus, Moment and place: art in the arena of the everyday. 2004
Dasha Dekleva, Earshot to Here, Oct 2004
Enrico Pedrini, Max Neuhaus and the space-sound, 2004
Ulrich Loock, "Times Square, Max Neuhaus's Sound Work in New York City", 2005
Christoph Cox, Sonambiente 2006, Akademie der Kunste, Berlin, 1 June–17 July 2006
Background Noise, Perspectives on Sound Art BY Brandon LaBelle, published by The Continuum International Publishing Group Inc. AUG 21, 2006
Brandon LaBelle. Chapter 10, Tuning Space: Max Neuhaus and Site-specific Sound", Background Noise, Perspectives on Sound Art (New York: Continuum, 2006)
Doris von Drathen, Max Neuhaus, Jen 25, 2007
Hans Rudolf Reust, While Walking, 2007
Ulrich Loock, Das Time Piece bei der Synagoge von Stommeln, 2007. (German)
Lynne Cooke, Location Listening, 2009
Robin Rimbaus, Max Neuhaus , Space as Sound -Scanner, (Online)
Megan Murph, Max Neuhaus’s Sound Works and the Politics of Noise, 2009
Joseph, Branden W. “An Implication of an Implication.” 2009
Kotz, Liz. “Max Neuhaus: Sound into Space.” In Max Neuhaus: Times Square / Time Piece: Beacon, 93-112. Beacon, NY: Dia Art Foundation, 2009
Christoph Cox, 'Installing Duration: Time in the Sound Works of Max Neuhaus, 2009
Steeve Goodman (2009), 1738: Bad Vibrations, 1984: Dark Precursor, 1999: Vibrational Anarchitecture. pp. 287 to 304
Thierry Davila, « Max Neuhaus : inventer l’expérience du seuil », dans De l’inframince. Brève histoire de l’imperceptible, de Marcel Duchamp à nos jours, Paris, Éditions du regard, 2010, p. 205-239.
Alanna Heiss, On Sound, Space, and the City, 2011
Andy Battaglia, A Sound From Underground The Wall Street Journal:, NY Culture, December 26, 2012.
Walter Cianciusi, “Max Neuhaus: Pioneer of Invis- ible and (Almost) Inaudible Sound Installations,” in International Computer Music Conference Proceed- ings Conservatory Luigi Canepa Sassari, Italy. (2013), 248–253, 249.
Anne Zeitz, De Max-Feed à Radio Net Les projects radio de Max Neuhaus, Avril 2014
Hannah B Higgins, Live Art in the Eternal Network: The Annual New York Avant Garde Festivals. 2016
Patrick Javault, Neuhaus’ Time, Doppiozero, 2017
Charles Eppley, Underwater Music: Max Neuhaus and the Electronic Circuit as Post-Musical Score, project 2018
Samon Takahashi, "Heinz König Collage", 2018
Matthieu Saladin, Something Alive: pratique du feedback et conceptualisation de l'installation sonore chez Max Neuhaus, 2018
Laurent Devéze, Max Neuhaus la libération comme son de la liberation. 2018
Matthieu Saladin, The Inaudible as an Effect: Tactics of Sound Erasure in Max Neuhaus, 2020
Julia kent: Max Neuhaus, Essays, personal stories and curiosities from our guest femxle contributors, July 20, 2021
Elena Biserna, Site-specific Exhibition and Re-Exhibition Strategies: Max Neuhaus’s Times Square, 2022
Manuela Ammer, Walking as Artistic practice, 2022
Matthieu Saladin Delineations of the Invisible: Notes on Max Neuhaus’ Drawing Practice, 2023
Sabine Breitsameter (Darmstadt): Von Listen zu Auracle. Der Medienkünstler Max Neuhaus und seine Konfigurationen des Hörens, 2025