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Dasha Dekleva, Max Neuhaus: Sound Vectors, MA thesis, University of Illinois at Chicago 1992.
Giulia Vismara - Max Neuhaus, Per una possibile emancipazione del suono, 2004
Justin W DeHart, Tap Routes: The Changing Role of the Contemporary Artist-Percussionist. Degree Doctor of Musical Arts, in Contemporary Music Performance, University of California, San Diego 2010
Justin DeHart, Tap routes : the changing role of the contemporary artist-percussionist, UC San Diego Electronic Theses and Dissertations, 2010
Elena Biserna, Sound Works Mobilità Arte, Suono, Spazio Urbano, 2011
María Andueza Olmeda, An elucidation of public sound art ... 'Sound Effects', Vol.2, n. 1, Universidad Europea de Madrid (Spain), 2012
Louise Elizabeth Chernosky, Voices of New Music on National Public Radio: Radio Net, RadioVisions, and Maritime Rites, Columbia University, 2012 degree of Doctor of Philosophy.
Megan Elizabeth Murph, 'Max Neuhaus and the musical avant-garde', Louisiana State University and Agricultural and Mechanical College, 2013
Charles Eppley, Soundsites: Max Neuhaus, Site-Specifificity, and the Materiality of Sound as Place. Stony Brook University, 2017
Max Neuhaus, R. Murray Schafer, and the challenges of noise, Megan Elizabeth Murph, University of Kentucky, 2018
Eve Marie Montfort, Les expériences d’écoute dans les œuvres sonores contemporaines: mobilité, spatialité et sensorialité de Max Neuhaus aux artistes d’aujourd’hui (1950-2016). 16 Dec 2021
Eve-Marie MONTFORT, Les expériences d’écoute dans les œuvres sonores contemporaines : Mobilité, spatialité et sensorialité. De Max Neuhaus aux artistes d’aujourd’hui (1950-2016). Rennes, le 21 janvier 2021