Max Neuhaus

1980
COMO PARK, (Untitled) by Max Neuhaus.
Botanical Garden, St. Paul, Minnesota. Extant: Summer 1980.


Sound Work Location: Botanical Garden, St. Paul, Minnesota, Dimensions: rotunda 30 x 20 meters

Image: Max Neuhaus poster, 1980

Copyright

Sound Work opens June 5, 1980. Organized by WAC and commissioned by the city of St. Paul, a permanent sound installation will be opened prior to New Music America in the Como Park Conservatory. 

Swift-moving Sound Shapes By Max Neuhaus Text 1980

____

'His most recent installations have made use of electronically synthesized sounds, for which he has developed an elegant computerized system for manipulating and storing tone patterns. The system he is using for the siren project is modified from one created in 1980 for a St. Paul (Minnesota) Botanical Garden installation, and includes a video monitor on which the sounds can literally be drawn with an electric marker'.

Nancy Princenthal

MNE-PRESS Como Park Conservatory.pdf


New Music America, 1980.

PERFORMING ARTS: NEW MUSIC AMERICA

newsComo1980.PDF

MAX NEUHAUS: INTERVIEW , SOUND INSTALLATION, 06/80, TAPE #1 1980

Location: Como Park Conservatory, St.Paul. Date: opens June 5, 1980. Organized by WAC and commissioned by the city of St. Paul, a permanent sound installation will be opened prior to New Music America in the Como Park Conservatory. Designed for the space by artist Max Neuhaus, the installation will be located in the central rotunda of the Conservatory. The piece, involving an elaborate electronic music system, will virtually fill the space with gradually modulating 'sound shapes' - tactile music that surrounds a listener with subtle tones. The installation marks Neuhaus' first exploration of a greenhouse space. The piece will be a permanent addition to the Conservatory. Since 1965, Neuhaus, a leading sound environment artist, has worked outside the realm of conventional concert hall situations, focusing his attention on new situations and sound sources. In the process of largely creating and developing the concept of 'the sound installation,' Neuhaus has changed many preconceived notions of when and where music can occur. Accession Number: 94.V0081 Director: Charles Helm Executive producer: Walker Art Center Production company: Walker Art Center Type: Video Classification: Music Copyright: 1980 Credit Line: Walker Art Center Archives: Sound and Moving Image Collections



Image: Max Neuhaus, Drawing, 1993

MNE-DRAW (Untitled) Como Park, St. Paul 1980 .pdf

Copyright

Designed for the space by artist Max Neuhaus, the installation was placed in the central rotunda of the Conservatory. The piece, which involved an elaborate system of electronic music, virtually filled the space with gradually modulating "sound shapes" - tactile music that surrounded the listener in subtle tones.

The installation marked Neuhaus' first exploration of a greenhouse space. The piece was a permanent addition to the Conservatory. Since 1965, Neuhaus, a leading artist of the sonic environment, has worked outside the realm of conventional concert hall situations, focusing his attention on new sonic situations and sources. In the process of largely creating and developing the "sound installation" concept, Neuhaus changed many preconceived notions about when and where music can occur.