2005
The writings of Fred Sandback, particularly in the book published by Hatje Cantz, highlight a conceptual kinship with Max Neuhaus, both creating traversable works (pedestrian sculptures) that carve up physical space [1]. These texts underscore a shared approach to "emptiness" and literal presence, where Neuhaus's sound, like Sandback's threads, acts as an immaterial boundary altering perception [1]. To explore the artist's texts and works, you can consult the catalogue published by Hatje Cantz.