2001
Timothy D. Taylor’s book, Strange Sounds: Music, Technology, and Culture (Routledge, 2001), explores the ways in which technology mediates musical experiences and how cultural meanings are attached to different sounds.
In this context, Max Neuhaus is often cited by scholars alongside Taylor’s work as an artist who radically interrogated the relationship between sound, technology, and culture, particularly regarding the use of radio and public sound in the 1960s and 70s.