1969
In 1969, the connection between James Tenney's essay "Computer Music Experiences" and Max Neuhaus lies in their shared history as pivotal figures in the New York avant-garde and their common transition from traditional performance to experimental sound environments.
Tone Roads and Bell Labs
While the essay itself focuses on Tenney's research at Bell Telephone Laboratories, the publication year (1969) marks a critical intersection for both artists:
Tone Roads Ensemble: Tenney and Neuhaus were long-time colleagues in this ensemble, performing together throughout the 1960s. Tenney even composed the percussion piece MAXIMUSIC (1965) specifically for Neuhaus.
In 1968, Neuhaus followed a similar path to Tenney by starting a research residency at Bell Labs. This residency was the catalyst for Neuhaus's final decision to stop performing as a musician and dedicate himself entirely to site-specific sound art.
https://www.plainsound.org/JTwork.html