2009
In the 2009 edition of
Audio Culture: Readings in Modern Music
, Karlheinz Stockhausen’s 1958 essay "Electronic and Instrumental Music
" (pp. 370–380) provides the theoretical foundation for the fusion of synthesized and acoustic sounds. While the essay itself predates Max Neuhaus’s career as a sound artist, its inclusion in this anthology highlights the historical lineage that Neuhaus both mastered and eventually rejected