2005
Steven Connor, « Ears Have Walls: On Hearing Art », dans Kelly, 2011, p. 129-138 [éd. orig. : FO(A)RM, no 4 : Topography, 2005, p. 48-57].

In Steven Connor's essay "Ears Have Walls: On Hearing Art," Max Neuhaus is presented as a central figure to theorize how sound can function as a physical, architectural boundary. The essay was first published in 
FO(A)RM in 2005 and reprinted in Caleb Kelly's Sound in 2011. You can find more information about Steven Connor's work.