1968
Source Magazine, Max Neuhaus, general works, A Max Sampler, 5:48-56, illustration, photos

In Source: Music of the Avant-Garde, Issue 5 (January 1969), Max Neuhaus published a seminal portfolio titled "A Max Sampler: Six Sound Oriented Pieces for Situations Other Than That of the Concert Hall
". Spanning pages 48–56, the feature includes descriptions, illustrations, and photographs of six key works that marked his transition from a percussionist to a pioneer of sound art.

• Listen: Documentation of his sound walks, which encouraged participants to focus on environmental sounds rather than composed music.
• Public Supply: A broadcast work utilizing the telephone network to mix listener-provided sounds.
• Bi-Product: An early conceptual sound work.
• American Can: A performance-installation from September 1966 involving the distribution of industrial products on a hard surface to generate sound through impact.
• Drive-In Music: A sound installation for commuters, designed to be heard through car radios while driving through specific areas.
• Telephone Access: A project exploring the interactive potential of the public telephone system.