2013
In his seminal work, "From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music" (2013), musicologist Makis Solomos analyzes the aesthetic shift in which "sound" (as raw, spatial, and physical material) supplants "music" (as formal and temporal structure).
Max Neuhaus occupies a central place in this analysis, with Solomos considering him one of the principal architects of this transformation.