2004
Scherzinger, Martin. “‘Art’ Music in a Cross-Cultural Context: The Case of Africa.” In The Cambridge History of Twentieth-Century Music, edited by Nicholas Cook and Anthony Pople, 584–613. New York: Cambridge University Press, 2004.

In Martin Scherzinger's 2004 essay "'Art' Music in a Cross-Cultural Context: The Case of Africa," Max Neuhaus is presented as an example of the Western avant-garde's specific approach to sound as space [1]. Scherzinger uses this to contrast with African musical ontologies [1]. You can read the full essay by Martin Scherzinger in
The Cambridge History of Twentieth-Century Music.

2004Scherzinger, Martin. “‘Art’ Music in a Cross-Cultural Context: The Case of Africa.” In The Cambridge History of Twentieth-Century Music, edited by Nicholas Cook and Anthony Pople, 584–613. New York: Cambridge University Press, 2004.

2004
Scherzinger, Martin. “‘Art’ Music in a Cross-Cultural Context: The Case of Africa.” In The Cambridge History of Twentieth-Century Music, edited by Nicholas Cook and Anthony Pople, 584–613. New York: Cambridge University Press, 2004.