2012
In her 2012 doctoral thesis from the University of Huddersfield,
"Dynamic Relationships between the Sonic Artist, the Sonic Artwork and its Audience," Samantha Horseman develops a framework for understanding how listeners interact with immersive sound environments.
While the thesis primarily details Horseman’s own creative practice, Max Neuhaus is a central historical and theoretical reference used to define the shift from "performance" to "place"