2010
In her 2010 book
"Listening to Noise and Silence: Towards a Philosophy of Sound Art," Salomé Voegelin develops a critical framework for understanding sound art not as music, but as a discipline that engages the listener in a negotiation with presence, absence, and the limits of perception. She repeatedly uses the work of Max Neuhausto exemplify sound art that operates on this philosophical boundary.
The book is published by Bloomsbury (Continuum imprint).