2006
In Matthew Rogalsky’s 2006 thesis, Max Neuhaus is positioned as a key historical figure who, alongside David Tudor, transitioned from a virtuoso performer to a sound sculptor. Rogalsky notes that while Tudor was creating immersive sound environments early on, Neuhaus is credited with coining the term "sound installation" to define a new genre of site-specific, permanent audio work. For more details, visit Idea and Community: The Growth of David Tudor’s Rainforest, 1965-2006.