2009
In her 2009 essay
"John Cage and Investiture: Unmanning the System," published in the exhibition catalog , Julia Robinson examines John Cage’s profound influence on the dismantling of artistic and musical hierarchies. While the essay centers on Cage, Max Neuhaus serves as a critical historical bridge between Cage’s radical indeterminacy and the birth of site-specific sound art.
The full catalog was published by the Museu d’Art Contemporani de Barcelona (MACBA).