1993
Pritchett, James. The Music of John Cage. New York: Cambridge University Press, 1993.

In James Pritchett’s 
 (1993), Max Neuhaus is identified as one of the most significant performers and interpreters of Cage’s percussion and indeterminate works during the 1960s. Pritchett uses Neuhaus’s career to illustrate the critical role of the "virtuoso performer" in realizing Cage's open-ended scores 1.