2014
In the edited volume "Tomorrow is the Question: New Directions in Experimental Music Studies" (2014), editor Benjamin Piekut and various contributors examine the history of experimental music by moving beyond the dominant "Cagean" narrative.
Max Neuhaus is featured throughout the volume as a primary figure who successfully navigated the "expanded arts" movement of the 1960s, shifting from a world-class performer of avant-garde scores to a pioneer of site-specific sound art.