2012
In the article "The Sound Labyrinth Project: Catalyst For Creative Activity" (2012), Per Sjösten, as part of the Swedish Urban Sound Institute (USIT) research group, discusses a large-scale interactive sound-art experiment.
While the project itself was conducted between 2008 and 2010, Max Neuhaus serves as a foundational theoretical reference for the methodology used by Sjösten and his colleagues.