2006
In "New York Noise: Music in the Post-Industrial City, 1978–1985," Caroline Polk O’Meara analyzes Max Neuhaus as a pivotal figure bridging the 1960s avant-garde and New York's late 1970s and 1980s "post-industrial" sonic landscape. You can find more information about the dissertation by Caroline Polk O'Meara.
https://www.yourclassical.org/story/2020/02/12/new-york-out-loud-sound-art