1996
In Joe Milutis’s 1996 article “Radiophonic Ontologies of the Avant-Garde,” published in TDR (The Drama Review), Max Neuhaus is analyzed as a pivotal figure who transformed radio from a medium of one-way transmission into a three-dimensional "virtual space." [1]
Key Roles of Max Neuhaus in the Text
Milutis situates Neuhaus within a lineage of "radiophonic" pioneers who challenged the ontological status of broadcast sound