1965
Max Neuhaus's article "Max på odenäventyr" in the journal Nutida Musik documents his experiences during a 1965 tour of Sweden and Denmark, where he presented his radical interpretations of Stockhausen and John Cage. The piece reflects on the logistical challenges of transporting his large percussion and electronics setup, the reception of "New Music" in the Swedish press, and his early use of specialized electronic devices like his Max-Feed, indicating a shift toward electronic sound environments. You can explore the full article in Nutida Musik.