2014
In his 2014 paper
"The Expansion of Sound Sculpture and Sound Installation in Art
"(published via Academia), Manuel Rocha Iturbide examines the aesthetic evolution of sound art from a kinetic object to an environmental experience.
He positions Max Neuhaus as a pivotal figure who bridged these two domains by redefining the relationship between sound, space, and the listener
https://www.academia.edu/8101034/The_expansion_of_sound_sculpture_and_sound_installation_in_art