2011
2010 - Leszek Brogowski, « L’ardeur de l’art même », Pratiques, no 21 : L’Ardeur de l’art même. Pratiques discrètes et leurs non-lieux, automne, p. 2-18.

Here are the key points concerning Max Neuhaus in this text:

1. Discretion and the Withdrawal of the Object
Brogowski places Neuhaus at the heart of a reflection on art that does not seek to impose itself. Unlike monumental sculpture, Neuhaus’s sound installations are often invisible, blending into the urban or architectural environment. This “discretion” forces the viewer (now a listener) to heightened vigilance in order to perceive the work.