2022
In her article, "We are between matter and light": Sound and Plastic Space ("espace plastique") in the Work of Lars Fredrikson (1926–1997), published in
Snow lit rev (2022) and previously in Les Cahiers du MNAM, Léa Dreyer mentions Max Neuhaus in the context of the development of sound art and the distinct approaches taken by artists like Fredrikson and Neuhaus