1973
In his 1973 article "A Student's Preparation of Zyklus" published in Percussionist (Vol. 11, pp. 15-18), James William Lambert analyzes the rigorous technical and mental demands of performing Karlheinz Stockhausen's Zyklus, citing Max Neuhaus as the definitive benchmark for the work.
Key Aspects of the Reference:
The Neuhaus Interpretation: Lambert references Neuhaus not just as a performer, but as the artist who "unlocked" the graphic notation of Zyklus. Neuhaus’s 1960s performances and his recording for Wergo Records are treated as the primary pedagogical guide for students.
BibliographyStockhausen-Stiftung für Musikhttps://www.karlheinzstockhausen.org › ...