2007
In her book Words to be Looked at: Language in 1960s Art
(MIT Press, 2007), Liz Kotz examines Max Neuhaus as a pivotal figure who bridged the gap between the 1960s musical avant-garde and the emergence of site-specific sound art.
In her book Words to be Looked at: Language in 1960s Art
(MIT Press, 2007), Liz Kotz examines Max Neuhaus as a pivotal figure who bridged the gap between the 1960s musical avant-garde and the emergence of site-specific sound art.