1995
Kotz, Liz. “Post-Cagean Aesthetics and the “Event” Score,” October 95 (Winter 2001): 55-99.

In her seminal article 
“Post-Cagean Aesthetics and the ‘Event’ Score
” (October 95, Winter 2001), Liz Kotz examines the transition from musical notation to the linguistic and performance-based "event scores" of the 1960s. While the text primarily focuses on the Fluxus movement and figures like George Brecht, it is frequently cited alongside Max Neuhaus to explain his radical departure from traditional music.