1996
In Kier Keightley’s 1996 article “'Turn It down!' She Shrieked: Gender, Domestic Space, and High Fidelity, 1948-59,” published in Popular Music, the connection to Max Neuhaus is established through a critique of the gendered politics of sound and domestic space.
While the article focuses on the early "Hi-Fi" era, it is frequently cited alongside Neuhaus in scholarly bibliographies to contrast different ideologies of listening and sound control.