2013
In his 2013 article for the journal SoundEffects, "Conceptual overlays for urban soundscape design emerging from a transversal analysis of Lefebvre, Deleuze and Guattari, and Arendt," Jordan Lacey presents a theoretical framework to guide the design of public sound installations.
While the core of the article synthesizes the philosophies of Henri Lefebvre, Deleuze and Guattari, and Hannah Arendt, Max Neuhaus is featured as the foundational historical figure who bridged the gap between avant-garde music and urban sound design.