2019
In his 2019 book chapter
"Soundscape Composition: Listening to Context and Contingency
" (published in ),John L. Dreverexplores soundscape composition not as a rigid genre, but as an interdisciplinary practice centered on "contextual listening" and the meanings of place.
Drever references Max Neuhaus to differentiate between traditional musical forms and the "atelexic" (non-ending) nature of sound art: