1996
Horowitz, Gregg. "Public Art/Public Space: The Spectacle of the Tilted Arc Controversy," The
Journal of Aesthetics and Art Criticism 54, no. 1 (Winter, 1996): 8-14.

In Gregg Horowitz's 1996 essay "Public Art/Public Space: The Spectacle of the Tilted Arc Controversy", published in The Journal of Aesthetics and Art Criticism, sound artist Max Neuhaus is used as a theoretical counterpoint to the "spectacular" and controversial nature of Richard Serra’s Tilted Arc