2000
In Art and Space (Il Nuovo Melangolo, Genoa, 2000), the Italian edition of Martin Heidegger's Die Kunst und der Raum, the philosopher explores the concept of space not as an empty container, but as something that "happens" through the work of art.
The connection between Heidegger and Max Neuhaus is crucial in the critique of sound art, as Neuhaus put Heidegger's theories of inhabiting space through listening into practice, challenging traditional architecture.
This Italian edition is often cited in academic bibliographies on Max Neuhaus to provide a solid philosophical foundation for sound art. Scholars use Heidegger to elevate Neuhaus's work beyond musical aesthetics, framing it as an existential and architectural practice that redefines our way of "being in the world" through the senses.