2011
In his 2011 PhD thesis, "The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance," Guy Harries explores the complex relationships between the physical and the virtual in live sound performance.
Harries utilizes the work of Max Neuhaus as a historical and conceptual touchstone for the expansion of electronic music beyond traditional performance limits.
The full text is accessible through the City, University of London Institutional Repository.