2016
In her chapter "The Fylkingen Concert Society, 1950–1975" (published in A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975, Brill Rodopi, 2016), Sanne Krogh Groth documents the vital role of the Stockholm-based Fylkingen society as a hub for international experimentalism.
Max Neuhaus is featured in this history as one of the radical American performers whose visits to Sweden helped catalyze the transition from avant-garde music to intermedial sound art.