1967
In a 1967 article for The New York Times, Grace Glueck discussed the decentralization of art, highlighting creators like Max Neuhaus who moved installations out of galleries and into public spaces. Glueck framed Neuhaus's sound works, such as "Drive-In Music," as democratizing the avant-garde by using everyday tools like cars and radios to deliver art as an environmental experience. The New York Times article described art transitioning from chaotic "Happenings" to more structured, technologically mediated environments, aligning with later theories on art that is "found" rather than "looked at."