2006
Douglas Kahn, « Sound Art, art, musique », Tacet. Sound in the Arts, no 3 : From Sound Space/De l’espace sonore, 2014, p. 328-344
In the article "Sound Art, Art, Music" from The Iowa Review Web (2006), Douglas Kahn analyzes Max Neuhaus to distinguish sound art from traditional music, emphasizing that Neuhaus’s work focuses on creating spatial, environmental "sound works" rather than purely temporal musical compositions. Kahn highlights Neuhaus’s rejection of the "sound art" label in favor of his work as a "plastic material" that forces the audience to engage in "listening to listening."