1994
In his 1994 book
On Innovative Performance(s): Three Decades of Recollections on Alternative Theater
, Richard Kostelanetz chronicles his experiences and observations of the avant-garde performance scene in New York and beyond from the 1960s through the early 1990s.
Max Neuhaus is included in this historical survey as a pivotal figure who bridged the gap between contemporary music and environmental art.
https://iazzetta.eca.usp.br/ufpb/electronic_experimental.pdf