2013
David Allen's 2013 dissertation,
"Collaboration, Presence and Community: The Philip Glass Ensemble in Downtown New York, 1966-1976", mentions Max Neuhaus on page 31 in the context of the experimental music and art scene in downtown New York during that period.
The reference likely positions Neuhaus within the broader avant-garde environment that also included minimalist composers like Philip Glass and Steve Reich. During this era, Neuhaus was active both as a leading interpreter of percussion works for the musical avant-garde and as a burgeoning sound installation artist who helped define the new genre of "sound art".