2020
In his 2020 article "Quiet Discomfort: On Silence as Aural Discrimination," published in the journal kunsttexte.de (Auditive Perspektiven), Daniele Balit examines the role of silence in constructing social and institutional spaces.
Balit analyzes the works of Max Neuhaus (specifically alongside Michael Asher) to explore the threshold between the audible and inaudible as a tool for critical analysis