2009
Daniel Caux, Le Silence, les couleurs du prisme et la mécanique du temps qui passe, Paris, Éditions de l’éclat, 2009.

In his posthumous work, "Silence, the Colors of the Prism, and the Mechanics of Passing Time" (2009), musicologist and critic Daniel Caux devotes considerable space to Max Neuhaus, whom he considers one of the fundamental pioneers in the transition from music to sound art.

The book is published by Éditions de l'éclat.