2007
In his essay
"The Jerrybuilt Future: The Sonic Arts Union, Once Group and MEV's Live Electronics
" (first published 2002; republished in Undercurrents, 2007), Christoph Cox highlights Max Neuhaus as a pioneer of live electronics.
Cox uses Neuhaus to illustrate the radical shift in the 1960s from studio-based electronic music toward improvisational, "dirty," and site-specific performances.