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The citation of Max Neuhaus in relation to this text is significant because: Neuhaus, a pioneer of sound art, often engaged with the ideas of signal and noise in a literal, physical sense. Pierce’s text provides a theoretical backdrop for Neuhaus’s work, which moved away from traditional musical composition toward "sound installations" that treat the environment as a field of information to be decoded by the listener. Neuhaus’s projects, such as Times Square, align with Pierce's discussion on how randomness and order influence an observer's aesthetic experience.
https://dspace.cuni.cz/bitstream/handle/20.500.11956/194979/130404390.pdf?sequence=4&isAllowed=y