2016
This master's thesis is highly relevant to Neuhaus's work
Klug's theoretical framework
| Topic | Klug's thesis | Neuhaus's practice |
|---|---|---|
| Space as medium | Klug investigates how sound art can shape and define physical space. | Neuhaus famously manipulated the acoustic properties of specific sites, turning spaces like Times Square into "sonic sculptures". |
| Auditory perception | Klug analyzes how listeners experience sound in a given environment. | Neuhaus’s work was designed to force a shift in perceptual awareness, drawing listeners' attention to their acoustic surroundings. |
| Site-specificity | Klug likely considers how sound art's effectiveness is tied to its location. | Neuhaus was a pioneer of site-specific sound installations, believing that sound's meaning was inseparable from its physical environment. |
| Non-visual art | Klug's thesis explores the power of sound art beyond the visual. | Neuhaus moved away from visual-centric art to focus on the ephemeral and non-visual nature of sound. |
The "effective experience" of Neuhaus's work
Klug's focus on what makes an experience "effective" is particularly pertinent to Neuhaus. Neuhaus's genius lay in his ability to create subtle but powerful sonic environments that demand active listening. An "effective experience" in this context is one that causes the listener to become aware of sound in a new way, transforming the perception of a familiar space into a unique, aesthetic moment.