1988
In the September/October 1988 issue (Vol. 5, No. 25) of Arte Factum: Magazine of Contemporary Art in Europe, Max Neuhaus is featured during a peak period of his European installations.
This issue, published in Antwerp, reflects the international dialogue surrounding site-specific sound art and architectural intervention. While the magazine typically covered a broad range of European avant-garde practices (including artists like Ian Hamilton Finlay), the inclusion of Neuhaus highlights:
Spatial Identity: Discussion of how Neuhaus’s "Sound Works" create a new "place" within existing architectural sites, moving beyond the temporal constraints of music.
Contemporary Context: The 1988 publication coincided with major projects like his Sound Line in Grenoble and preparations for his upcoming Time Piece at the Kunsthalle Bern.
Aural Perception: The article aligns with the magazine's focus on how contemporary media and sensory experiences redefine the viewer's (or listener's) relationship to the physical environment.
https://dreher.netzliteratur.net/9_KontextKunst_Merz_Werke.pdf