2002
In his March 22, 2004
New Yorker article "Times Regained," Adam Gopnik reflects on Max Neuhaus's landmark sound installation in New York City, describing the experience of encountering the sound as a moment of unexpected "stillness" within the city's chaotic hub. Gopnik argues that while the visual landscape of Times Square had been altered by 2004, Neuhaus's sound remained a "ghostly" link to the city's 1970s grit and experimental spirit. You can read more at The New Yorker.