1970
In Contemporary Percussion (1970), Reginald Smith Brindle identifies Max Neuhaus as the premier virtuoso percussionist of the avant-garde, specifically highlighting his role in expanding the technical and conceptual boundaries of the instrument
In Contemporary Percussion (1970), Reginald Smith Brindle identifies Max Neuhaus as the premier virtuoso percussionist of the avant-garde, specifically highlighting his role in expanding the technical and conceptual boundaries of the instrument