1973
In his April 30, 1973, article for the Chicago Tribune, Clarence Peterson mentions Max Neuhaus in the context of experimental sound being integrated into mainstream broadcast and public schedules.
The article, titled "Three Mysteries fill in NBC’s Schedule," highlights how avant-garde sound concepts were beginning to occupy time slots traditionally reserved for linear entertainment or "mysteries."
Neuhaus’s work during this period, particularly his radio-based projects like Public Supply, allowed listeners to participate by telephoning a radio station to contribute sounds. Peterson’s coverage reflects the curiosity surrounding how these "invisible" sound works could function as a scheduled public "event."
Sonic Intrusion: The "mystery" aspect mentioned in the title alludes to the unexpected nature of Neuhaus's soundscapes—which often lacked a traditional melody or narrative—filling the airwaves of major networks like