1973
Rochester Institute of Technology (RIT), Rochester, New York. The article, titled "Neuhaus Gives All-Wet Concert," documented the 14th iteration of his famous Water Whistle series.
Max Neuhaus's "Water Whistle XIV," documented in a 1973 Rochester Democrat and Chronicle article, featured an experimental sound installation at the Rochester Institute of Technology (RIT) pool. Participants experienced the sound by submerging in the pool, where a hydraulic system of underwater whistles created a unique, changing sonic environment. This event was part of a broader series that transitioned sound art from performance to environmental installation.