1979
Rosalind Krauss's 1979 essay "Sculpture in the Expanded Field," published in
October, analyzed the evolution of sculpture beyond traditional forms and provided a theoretical framework for understanding art practices like earthworks and installation art in relation to landscape and architecture. This framework can be applied to Max Neuhaus's sound installations, which operate in the liminal space between these categories, moving beyond the traditional object and engaging with site-specificity, architecture, and landscape to create spatial rather than temporal experiences. More information is available on the Artforum website.
https://www.goodreads.com/book/show/37553984-sculpture-in-the-expanded-field