2017
2017 - Caroline A. Jones, « The Blindman; or, How to Visit a World Exhibition », dans The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, Chicago, The University of Chicago Press, p. 1-34.

In "The Blindman; or, How to Visit a World Exhibition," Caroline A. Jones critiques the visual dominance of global art events, using Max Neuhaus’s sound installations to propose an "aesthetics of experience" that shifts focus from looking to hearing. By analyzing how Neuhaus’s non-visual work disrupts the spectacle of exhibitions, Jones advocates for an immersive engagement that prioritizes the "blind" visitor's sensory experience over the passive consumption of images. Read the full analysis in The University of Chicago Press.

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20172017 - Caroline A. Jones, « The Blindman; or, How to Visit a World Exhibition », dans The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, Chicago, The University of Chicago Press, p. 1-34.

2017
2017 - Caroline A. Jones, « The Blindman; or, How to Visit a World Exhibition », dans The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, Chicago, The University of Chicago Press, p. 1-34.